Posts mit dem Label lalie sorbet werden angezeigt. Alle Posts anzeigen
Posts mit dem Label lalie sorbet werden angezeigt. Alle Posts anzeigen

Montag, 21. Juni 2021

Lalie Sorbet - Black Shadows On Diversity

 


What was your first association, when you heard about the topic "Reconnaissance In Times Of Darkness"?

Being a very positive person, I always want to explore the positive aspects even in very dark events. So I immediately sought to show beautiful things, certainly threatened but with the desire above all to show the beautiful and to call to protect this beautiful.

Reconnaissance is exploration conducted to gain information with observation, surveillance and knowledge. How did you 'explore' the darkness

In the same way as mentioned above : in the positive aspects.

How long did the process of creation last for this exhibition?

Difficult to say .. Like any creative process there is a more or less long maturation time more or less consciously, then suddenly something obvious appears and everything falls into place .. This last step can be very fast .
For this exhibition I followed that pattern.

Which were the biggest obstacles?

No big obstacles but small challenges like adapting to another virtual world like OSGrid and some technical questions.

What are the most important techniques, that you use for virtual art? How  did you use these to interpret the theme?

Being an RL and SL photographer my work comes down to images, I also draw, shoot my pictorial work and exhibit it in virtual worlds. In addition I use some softwares to rework my photos like Photoshop. For this exhibition, I simply rezzed photos that illustrated my point.


What does it mean for you to create art in virtual worlds? Is it different from creating art in RL?
Lalie Sorbet

Créer de l’art dans les mondes virtuels est pour moi une nouvelle plateforme d’expérimentation et donc une grande joie et une grande curiosité. Oui c’est très différent que dans RL pour des raisons de faisabilité et de la manière de voir les oeuvres. Dans kes mindes virtuels je peux exposer mon travail avec des formats immenses, et donc percevoir différemment mon travail. C’est très inspirant et nourrissant et se serait juste impossible dans RL. En tout dernier j’ai remarqué qu’il y avait une aller retour créatif entre RL et les mondes virtuels, l’un nourrissant l’autre et vice versa.


Creating art in virtual worlds is for me a new platform for experimentation and therefore great joy and curiosity and a way to find different paths of creation. Yes it is very different than in RL for reasons of feasibility and the way of seeing the works. In virtual worlds I can exhibit my work in huge formats, and therefore perceive my work differently. It's very inspiring and nourishing and just wouldn't be possible in RL. At the very last moment I noticed that there was a creative back and forth between RL and virtual worlds, feeding the other and vice versa.

What are your former experiences with art in virtual worlds? Have you taken part in themed  group collaborative projects? Or is your art usually more singular?

I've always wanted to share my photos through different exhibitions here in virtual worlds personal or collaborative.

Which role does virtual art play in your country of origin according to your experiences?

Virtual art brings many questions to a society undergoing complete transformation due to informatics. What will be the place of digital technology in the history of art? A medium or a way of representing the world as perspective did ... the questions remain unanswered.

In which way was the creating of art helpful for you in the covid-crisis?

Artistic creation is useful to me all the time… It's a way of seeing life differently, in a more lively, mysterious, interesting way. Of course during the COVID containment periods I had a lot more time and I took the opportunity to draw and therefore explore new paths.

Which topic would be interesting to you as an artistic challenge in the  future?

I do not know yet 🙂


 

Mittwoch, 3. Februar 2021

Sneak Preview: "Reconnaissance In Times Of Darkness" in OSGrid

 


Wailing women surround a polluted water puddle. They are dressed like figures from an ancient Greek tragedy or like wailing women, who were hired to mourn during funerals in many cultures. Why do they mourn?
In the puddle we see the garbadge of civilization, bottles, plastic bags and paper, chemicals etc. and, when we look closer human bones. A pandemia? A crime? Suicide? Carelessness? An accident? A symbol for the status of mankind and humanity in a threatened world, on a tortured planet. Our values and convictions are emerging in times of darkness and reveal our true achievements.
Dark times can insofar be seen as an advantage: they help to achieve reconnaissance.
Art in its divers options of expression is an optimal medium to express the emotional part of darkness. The additional features of virtual worlds are the immersion and interactivity, which help to dive deeply into the context and process the traumata and threats of the dark sides of life. Art can help to become aware of all variants of negative impacts.
As its best it can wake up the power to resist and lay the seed for a better future.

10 artists have taken the opportunity to create huge installations related to the given topic. Here is a sneak preview of the ones, who are already or nearly finished and could be visited already. Landing spot is: x-grid-info://osgrid/region/interstellART_exhibitions/387/338/24, from where the gates to each artist are available.

Victoria Logan's (Argentine) focus is on "Mental Health In Pandemic Times" (Spanish and English):



The pandemia is also the focus of Tina Bey's (Argentine) installation "Pandemic Darkness":




The British artist Caro Fayray tries to shed "Light On The Darkness" on our planet:




French artist Claude Belgar shows in his minimalistic style the topic "Science In Dark Times" and goes back in history to Galileo Galilei:




Shenn Tao has created a mysterious orb with a dark power inside, an imagination of anti-matter and a "Dark Artistic Exploration":




Photo-artist Fuyuko Amano shows photos, taken in Cyber-Punk environments in Second Life and which show the function of "Darkness In Cyber-Punk":



"Threats To Freedom" is the topic of host and artist Asmita Duranjaya. Examples are the umbrella-movement in Hongkong and the general threat to cut down the freedom of media all over the world:



French artist lalie Sorbet focuses on the topic "Dark Shadows On Diversity" and shows brilliant macro-photos of endangered species:



Kuveni Kalakaruwa's "Garden Of Sadness" invites persons, who have lost a family member or a friend during the pandemia, for meditation by sitting down and lightening a candle for their beloved ones.




More topics related to "Reconnaissance In Times Of Darkness" will follow; the following artists are working on their installations:

iSkye Silverweb - Being Deaf In Times Of Darkness

Sujeewa Kumari - Feelings Of Isolation And Distance

We invite all interested hyper-travellers to visit the var-sim interstellART_exhibitions:
hg.osgrid.org:80:interstellART_exhibitions

https://opensimworld.com/hop/85547 .

Visiotrs, who have no open sim-avatar yet can register here, choose an avatar and login.

Look for the profile of Asmita Duranjaya and for VWBPE in the picks. There will be the tp to the welcome area. 

You need a 3rd party viewer for OS:

- http://www.singularityviewer.org/downloads

- https://wiki.firestormviewer.org/doku.php?id=downloads#current_release_for_opensim .




Sonntag, 16. August 2020

MindScape-Artist Lalie Sorbet

French artist / photographer Lalie Sorbet lives and works between South India, on the Coromandel coast and the south of France. She has this passion for creating images. She likes to explore all possibilities of expression: video, 3D, collage, painting, drawing, photography, reports. Navigating between the worlds of insects, spiders, drops of water, human or animal portraits, trees, flowers or seeds, she offers a sensitive tribute to nature.
Witnessing the beauty and diversity of our planet is a great joy for her and these days probably an obligation!

Brainstorming
This work called « Brainstorming » created for « Mindscape project » is a reflection on the capacity of our brain to incarnate matter through our body, our gaze, our hands. By drawing or painting we transpose our thoughts on paper. By sculpting we give a soul to stone or wood. In other words, we breathe consciousness into inertness. By doing this we can perhaps deliver a message or also converse with levels of consciousness still unknown.
Nature being an eternal source of inspiration and concern for me, it manifested itself naturally in this approach in a joyful way and in a stylized and imaginary form.

L'artiste / photographe française Lalie Sorbet vit et travaille entre l' Inde du Sud, sur la côte de Coromandel et le sud de la France. Elle a cette passion de créer des images. Elle aime explorer toutes les possibilités d'expression: vidéo, 3D, collage, peinture, dessin, reportages photographie. Naviguant entre les mondes d'insectes, d'araignées, de gouttes d'eau, de portraits d'humains, d'arbres, de fleurs ou de graines, elle offre un hommage sensible à la nature.
Être témoin de la beauté et de la diversité de notre planète est une grande joie pour elle et ces jours-ci probablement une obligation!

Brainstorming
Ce travail appelé " Brainstorming" créé pour le projet Mindscape est une reflexion sur la capacité de notre cerveau d'incarner la matière à travers notre corps, notre regard, nos mains. En dessinant ou peignant nous transposons nos pensées sur du papier.. En sculptant nous donnons une âme à la pierre ou au bois. En d'autres mots nous insufflons de la conscience dans de l'inerte. En faisant cela nous pouvons peut être délivrer un message ou aussi converser avec des niveaux de conscience encore inconnus. La nature étant une éternelle source d'inspiration et de préoccupation pour moi, elle s'est manifestée naturellement dans cette démarche de manière joyeuse et sous une forme stylisée et imaginaire.


http://maps.secondlife.com/secondlife/Nice%20Atoll/65/167/1014 :